The Egyptian Pyramids Were Built By Black Africans Not Arabs
Another group of mummies from the Amarna period of Egyptian pharaohs were also tested by DNA Tribes, in 2013. The conclusion of those testing were that those mummies autosomal profiles were also Africans. Their DNA profiles matches the present day populations of the African Great Lakes region and Southern Africa. Subsequent analysis of the autosomal profile of the mummy of Pharaoh Rameses III also concluded that his matched the genetic profiles of the population of the Great Lakes region Africans as well. These findings were reported in the DNA Tribe’s digest on February 2013. Most of us haven't heard about these facts because they’ve been intentionally suppressed them from the white mainstream media. It's been suppressed while white propagandists have instead been spreading the false claim that King tut was ridiculously a European. Orwellian propaganda designers will always create many false stories that distracts us from learning the truth.
Although Egypt is located in Africa, and although all of its Pyramids, and the Great Sphinx, were built by Africans thousands of years long before the Greeks and Arabs arrived there in the 7th century - this has been proven by carbon dating testings- the white society nonetheless will not acknowledge the ancient Egyptians of Africa were in fact Africans. This isn't because they don't know. White historians are well educated. They attend prestigious universities and are most certainly taught within them that all of the great monuments of Africa’s ancient Egypt were already built, thousands of years, long before the arrivals of the Greeks and Arabs in the 7th century. Modern Egyptians are merely descendants of Arabs who whitened the population after the 7th century. In fact the pyramids and the Sphinx were built thousands of years long before the arrival of any non Africans into Africa. White historians knows of these facts, but conceals them from the public. Because they’ve deliberately stolen Africa’s glorious history of Egypt and falsely portrays it as being theirs to aspire to future aspirations of their racially group. Moreover they also cannot admit that Africans built the pyramid, while Caucasians we’re still living in caves because this refutes the myth of their white racial superiority over Black people. For oppressors to maintain their social dominance over the oppressed they must condition the oppressed to believe that they’re lesser than their oppressors. Therefore white historians stolen Africa’s glorious history of ancient Egypt and teaches us the false narrative that it’s Africans that do not have a inspiring history.
They’ve literally removed themselves from their cave dwelling Caucasus mountains Neanderthal origin and falsely placed themselves upon the aspiring throne of Africa’s ancient Egypt. Whenever oppressors don’t have a glorious history of their own they always steal the glorious history of the oppressed. The practice is known as Orwellian propaganda.
Orwellian propaganda are societal conditions created and sustained by misinformation, distortions of facts, denial of truth, and even the manipulation of the past to falsely exalt the white society. White historians justifies this unethical practices as being merely the spoils of war; thus saying that it's customary for conquerors to distort facts and re-write history to favor themselves. However the true reason it’s being done is much more nefarious and self serving of the white society.
The true reason is because white social scientists theorizes that a people’s future is predestined by the history they’re taught to believe about themselves. According to their theory a aspiring history is necessary to acquire a aspiring future because people references their future capabilities based upon their past achievements. It’s the process of imparting information which best enable people to realize their highest potential. People reference messages about their particular group to acquire their self-images and assess their potential and capabilities in relation to these messages. Also according to the theory, truth is not important to inspire a people’s future, what’s only important is what’s perceived as true. Because people function based upon their perceptions of what’s true rather than what’s actually is. Therefore to give their racial group a past that inspires their future, white social scientists and white historians whitewashed the past. More specifically, they’ve made their racial group appear lesser immoral than they truly historically were, they’ve falsely turned many Black historical figures white; and they’ve given themselves credit for most inventions made by Black people — to make their racial group appear more significant throughout history than they truly were. Therefore the collective self esteems of Caucasians have been falsely bolstered at the expense of Africans.
Case Point and Proof:
Do you know that there exist hidden substantial proof that the Great Sphinx of Giza is a sculpted head of an African?
There exist a reputable historian's eye witness account, written testimony and an artist rendering proving that the Great Sphinxs is a sculpted head of an African Man? These are the types of evidence that a person might take to court to win their case. However the system of white supremacy has always suppressed all evidence that contradicts the myth of white superiority and falsehood of Black inferiority. This includes hiding all evidence that the Sphinx is the sculpted head of an African.
Most of us have heard the story that when Napoleon's army arrive in Egypt on July 1 1798, he ordered that cannons be used to deface the Negroid face of the Great Sphinx of Giza. However most people are not aware that there does exist substantial evidence proving that the face of the Sphinx was in fact an African before it was defaced.
During the French invasion into Egyptian Napoleon was accompanied by a French diplomat, author, archaeologist and artist named Dominique Vivant Baron Denon.
Before the defacing of the Sphinx, Baron Denon asked Napoleon to allow him to first draw an illustration of the massive Sphinx of Giza before its face was destroyed. Napoleon agreed to the request and allowed Denon to do so.
Soon after Vivant’s sketch was complete Napoleon ordered the nose and lips shot off the Sphinx to remove the negro features. However the true features of the Sphinx survived in the Vivant Denon drawing. This attached drawing of the Sphinx's is a true copy of that original sketch drawn by Denon. It's given signed completion date is July 1 1798. This date affirms that it was drawn shortly after the French invasion into Egypt. Vivant clearly captured the facial features of the Sphinx and they are clearly African. The drawing shows that the Sphinx's features were clearly that of a Negroid African before it was damaged. Seeing the Sphinx with distinct negroid features also establishes that the ancient Egyptians were in fact a black culture.
The drawing was later published in the 1803 in an issue of Universal Magazine. Vivant Denon described the Sphinx as an African woman.
Here is also the written account about the Sphinx of Giza in Denon's own words:
"...Though its proportions are colossal, the outline is pure and graceful; the expression of the head is mild, gracious, and tranquil; the character is clearly African, but the mouth, and lips of which are thick as most Negroes, has a softness and delicacy of execution truly admirable; it seems real life and flesh. Art must have been at a high pitch when this monument was executed; for, if the head wants what is called style, that is the say, the straight and bold lines which give expression to the figures under which the Greeks have designated their deities, yet sufficient justice has been rendered to the fine simplicity and character of nature which is displayed in this figure..."
-- The Sphinx of Giza image (above) is from the Freeman Institute Black History Collection
Vivian Denon was a well respected diplomat. He was appointed as the first Director of the Louvre French museum by Napoleon after the Egyptian campaign of 1798–1801, and his drawing of the Sphinx displaying its original Negroid features are commemorated in the Denon Wing of the modern museum.
He also wrote in his two-volume Voyage dans la basse et la haute Egypte("Journey in Lower and Upper Egypt") published in 1802, that the original Egyptians were Black skin Negroes and that the sculpted face of the Sphinx was of the same Negro racial type before it was defaced by Napoleon's army.
Dominique Vivant Baron Denon
continued to insist up until his death on 27 April 1825 that that the original face of the Sphinx was that of an African before Napoleon had it was destroyed by cannon fire. In 1787, French orientalist Count Constantine de Volney travelled to Egypt and also described the population as "black with woolly hair", and "true Negroes of the same type as all native-born Africans". The reason why most Black people are unaware that there exist a reputable eye witness account, written testimony and an artist rendering affirming that the colossal Great Sphinx is in fact that of an African is because these facts are intentionally suppressed from the public distribution by white oppressive forces.
THE FAMOUS NEFERTITI BUST IS A PROVEN FAKE. IT WAS CREATED BY A GERMAN ARTIST USING HIS WIFE AS HIS MODEL. IT WAS USED TO PERPETRATE THE LIE THAT THE ANCIENT EGYPTIANS WERE EUROPEANS.
The famous Bust of Nefertiti has been proven to be an Egyptology Fraud created by an artist commissioned by Ludwig Borchardt. It was a deliberate attempt to make her look European.
The bust of Nefertiti draws half a million tourists to see her in Berlin every year. But now doubt has been thrown on the authenticity of the painted limestone and plaster bust of the 18th dynasty Egyptian queen Nefertiti by two authors who claim she is a fake.
According to a Swiss art historian, the bust is less than 100 years old. Henri Stierlin has said the stunning work that will later this year be the showpiece of the city's reborn Neues Museum was created by an artist commissioned by Ludwig Borchardt, the German archaeologist credited with digging Nefertiti out of the sands of the ancient settlement of Amarna, 90 miles south of Cairo, in 1912.
In his book, Le Buste de Nefertiti – une Imposture de l'Egyptologie? (The Bust of Nefertiti – an Egyptology Fraud?), Stierlin has claimed that the bust was created to test ancient pigments. But after it was admired by a Prussian prince, Johann Georg, who was beguiled by Nefertiti's beauty, Borchardt, said Stierlin, "didn't have the nerve to make his guest look stupid" and pretended it was genuine.
Berlin author and historian Edrogan Ercivan has added his weight to the row with his book Missing Link in Archaeology, published last week, in which he has also called Nefertiti a fake, modelled by an artist on Borchardt's statuesque wife.
Public and political enthusiasm about the find at the time gave the artefact its "own dynamic" and led to Borchardt ensuring it was kept out of the public gaze until 1924, the authors have argued.
He kept it in his living room for the next 11 years before handing it over to a Berlin museum, since when it has been one of the city's main tourist attractions.
The statue was famously admired by Adolf Hitler, who referred to it as "a unique masterpiece, an ornament, a true treasure".
THE NEFERTITI BUST IS A FAKE!
The archaeologist who claimed to have found the bust was actually going to reproduce a new sculptor of the Queen wearing a necklace he knew she had owned. He was also experimenting with colour tests with ancient pigments found at the digs. After completing the bust in 1912, the copy was admired so much by a German Prince; the Archaeologist couldn't sum up the courage to tell the Prince it was a fake.
THE SCIENTIFIC COMMUNITY KNEW THERE WERE HUGE ANOMALIES WITH THE BUST
'..The bust has no left eye and was never crafted to have one. This is an insult for an ancient Egyptian who believed the statue was the person themselves.." He also said the shoulders were cut vertically in the style practised since the 19th century while, "Egyptians cut shoulders horizontally" and that the features were accentuated in a manner recalling that of Art Nouveau. It was impossible to scientifically establish the date of the bust because it was made of stone covered in plaster, he said. "..The pigments, which can be dated, are really ancient.." he added.
ARCHAEOLOGIST AT THE TIME NEVER MENTIONED THE FIND AT THE SITE - IT WAS NEVER LISTED UNTIL 11 YEARS AFTER THE APPARENT DISCOVERY - THE ARCHAEOLOGIST DIDN'T EVEN SUPPLY A DESCRIPTION
Stierlin also listed problems he noted during the discovery and shipment to Germany as well as in scientific reports of the time. French Archaeologists present at the site never mentioned the finding and neither did written accounts of the digs. The earliest detailed scientific report appeared in 1923, 11 years after the discovery. The archaeologist "..didn't even bother to supply a description, which is amazing for an exceptional work found intact..". Borchardt 'knew it was a fake', Stierlin said. "..He left the piece for 10 years in his sponsor's sitting-room. It's as if he'd left Tutankhamen's mask in his own sitting-room.."
Apart from anything else, the bust looks nothing like the 'real' Nefertiti images, it's as if someone has attempted to make her look European. The other pictured artifacts are true authenticated images of Nefertiti showing she's Black.
There is a relief depicting of Nefertiti that is carved from Limestone displaying her with prominent African features. It's kept at the Ashmolean Museum, Oxford
Archeologists also found a statute of the body of Queen Nefertiti from the Kingdom, Dynasty, reign of Amenophis IV-Akhenaten, BC Quartzite. The body of Nefertiti has a body shape that is clearly an Africans. It's kept at the Louvre Museum | Paris
There's also many more carvings and paintings depicting Nefertiti with her husband and children that are also all depicted as Africans. We've been bamboozled by whites. They've stolen our ancient African history and portrays it as theirs.
While distorting the past to falsely inspire their racial group, white history teaches us that it’s we Africans that have no significant history to stifle our future aspirations. This is why they teach us that before the the arrival of white invaders, Africa was uncivilized and illiterate and therefore has no significant history. This is however totally untrue.
The truth is the exact opposite:
The hidden reality is that long before the Europeans invaded Africa, it was Africans- when we called ourselves Moors - that civilized Europe. This included introducing science, math, philosophy, and even the daily bath to Europeans. Queen Isabella of Spain bragged that she had only bathed twice in her whole life. Queen Elizabeth I, claimed that she was the cleanest woman in all of Europe, for reportedly bathing once a month.
Moreover all of Europe’s Greek scholars received their formal education in Africa’s ancient Egypt. The Greeks openly admitted that their knowledge originated from Africa. When Isocrates wrote of his studies in the book Busirus, he said that “I studied philosophy and medicine in Africa’s Egypt.”
White schools also teaches the falsehood that the father of medicine was a Greek named Hippocrates. However the true father of medicine was an African named Imhotep. Imhotep was practicing medicine and writing on the subject 2,200 years before Hippocrates, the so called father of modern medicine, was even born. Imhotep is the author of an Egyptian medical text written on Papyrus , which contains almost 100 anatomical terms and describes 48 injuries and their treatment.
Timbuktu University:
The Timbuktu University (in Mali, Africa) and its library are older than any of those found within the Western world. It was composed of three schools, namely the Masajid of Djinguereber, the Masajid of Sidi Yahya, and the Masajid of Sankore. During the 12th century, the university had an enrollment of around 25,000 students from Africa. In Timbuktu, there are about 700,000 surviving books. They are written in Mande, Suqi, Fulani, Timbuctu, and Sudani. The contents of the manuscripts include math, medicine, poetry, law and astronomy. This work was the first encyclopedia in the 14th century before the Europeans got the idea later in the 18th century, 4 centuries later.
Africa is also the craddle of mathematics.
The world’s oldest mathematical tools were discovered in Africa.
The Ishango Mathematic Tool.
The Ishango tool is an attestation of the practice of arithmetic in ancient Africa. It was invented by Africans dating as far back as 22000 years ago, in the Upper Paleolithic era. It is a dark brown length made of bone, the fibula of a baboon, with a sharp piece of quartz affixed to one end, perhaps for engraving. It has a series of tally marks carved in three columns running the length of the tool. These marks on the object are non-random and are most likely a kind of counting tool used to perform mathematical procedures.
There was also another mathematical tool discovered in Africa
The Lebombo Mathematical Tool.
It is even older than the Ishango bone. It is indeed the oldest known mathematical artifact in the world. Discovered in the 1970s in Border Cave, a rock shelter on the western scarp of the Lebombo Mountains in an area near the border of South Africa and Swaziland (now Eswatini). The bone was found on the Eswatini side, and dates from 35,000 BC. It consists of 29 distinct notches that were deliberately cut into a baboon’s fibula.
The bone is between 44,200 and 43,000 years old, according to 24 radiocarbon datings. This is far older than the Ishango bone with which it is sometimes confused.
Great Zimbabwe:
Great Zimbabwe is an ancient city in the south-eastern hills of Zimbabwe near Lake Mutirikwe and the town of Masvingo - originally called the Shona civilization. The stone city spans an area of 7.22 square kilometres (2.79 square miles) which, at its peak, could have housed up to 18,000 people.
These gigantic brick buildings and walls were erected nearly 2000 years ago. It is recognized as a World Heritage site by UNESCO.
The world’s largest man made structure was built by Africans:
There exist in Africa within the ancient Nigerian city of Benin the ruins of a Great Wall four time larger than the Great Wall of China.
The Great Wall of Benin in Edo state Nigeria was the largest man made structure in the history of the world. The walls are four times longer than the Great Wall of China and consumed 100 times more materials than the pyramid of Giza. The walls extended for some 16,000 kilometers in all and covered a space of 6,500 square miles. It is estimated that it took over 150 million hours of digging to construct and were all built by the Edo people.
In all, they are four times longer than the Great Wall of China, and consumed a hundred times more material than the Great Pyramid of Cheops. It’s perhaps the largest single archaeological phenomenon on the planet.” Source: Wikipedia, Architecture of Africa.” Fred Pearce the New Scientist 11/09/99.
Even before the full extent of the city walling had become apparent the Guinness Book of Records carried an entry in the 1974 edition that described the city as: “The largest earthworks in the world carried out prior to the mechanical era.” – Excerpt from “The Invisible Empire”, PD Lawton, African Historical Ruins.
Sadly, in 1897, Benin City and its Great Wall was destroyed by British forces under Admiral Harry Rawson - in what has come to be called the Punitive expedition. The city was looted, blown up and burnt to the ground. This expedition destroyed about 1,100 years of Benin history and one of the evidence of African civilization. The expeditionary force was made up of 1,200 British soldiers.
It brought an end to the great Benin Kingdom and led to the looting numerous Benin historical artefacts. A collection of the famous Benin Bronzes are now in the British Museum in London. Part of the 700 stolen bronzes by the British troops were sold back to Nigeria in 1972.
The monumental building achievements of Africa’s ancient Egyptians also proves that Africans were not illiterate nor uncivilized.
From the book The Black Matrix by Franklin Jones
Learn more at www.the blackpeoplesmatrix. Com
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